Hannah Stark Hannah Stark i(15401289 works by)
Gender: Female
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Works By

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1 Jessica Gildersleeve, Christos Tsiolkas : The Utopian Vision Hannah Stark , 2019 single work review
— Appears in: JASAL , vol. 19 no. 2 2019;
— Review of Christos Tsiolkas : The Utopian Vision Jessica Gildersleeve , 2017 multi chapter work criticism 'I have always read Christos Tsiolkas as a writer whose grand vision is of the failure of all political utopias. In particular, I have considered Tsiolkas in relation to the anti-social strand of queer theory and the perceived failure of queer politics. However, in Jessica Gildersleeve’s Christos Tsiolkas: The Utopian Vision, she positions his body of work as offering a politics of hope through negative affect. In this way, her focus is not descriptive but is engaged with asking larger political questions about writers, readers and reading. Gildersleeve uses deconstructive and psychoanalytic strategies to reveal the ethical and affective capacities of Tsiolkas’s work. She reads Tsiolkas in relation to the social and ethical capacity of literature to produce a reader who is a ‘responsible, ethical, affective, and effective citizen’ (4). Using Sara Ahmed’s critique of happiness as an emotion that is used to cover over oppression, Gildersleeve positions negative affect as a form of resistance to normativity and positions it as a textual strategy that can elicit political change. This is particularly pertinent in relation to migrant or refugee narratives, like the ones that appear throughout Tsiolkas’s work, where there is a perceived duty of happiness and gratitude. It is also central to Tsiolkas’s positioning as an Australian writer and his unrelenting critique of the ‘lucky country.’ (Introduction)
1 Foster Hannah Stark , 2019 single work prose
— Appears in: Cultural Studies Review , December vol. 25 no. 2 2019; (p. 227-229)
1 Non/human Appetites and the Perils of Consumption in Under the Skin Luke Hortle , Hannah Stark , 2019 single work criticism
— Appears in: Critique (Washington) , vol. 60 no. 2 2019; (p. 157-168)

'This article examines the complex and shifting appetites for meat and sex in Michel Faber’s 2000 novel Under the Skin and the 2013 Jonathan Glazer film adaptation of the book. Although almost unrecognizable at the level of plot, this article argues that considering these texts together highlights their deep and unsettling rendering of misogyny in relation to the pleasures and perils of consumption. In engaging with the confronting and, at times, politically ambiguous treatment of consumption in these texts, this article offers a reading of the intersectional relationship between the oppression of women in a patriarchal society and the exploitation of nonhuman animals as a resource for human endeavors.' (Publication abstract)
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