Cirrus@Austlit

'Irreverent, witty and wise, But the Girl is a campus novel set off campus, and a coming-of-age story about not wanting to leave your family behind

'I used to have this line I saved and brought out for grant applications and writers festivals - that having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me

'Girl was born on the very day her parents and grandmother immigrated from Malaysia to Australia. The story goes that her mother held on tight to her pelvic muscles in an effort to gift her the privilege of an Australian passport. But it's hard to be the embodiment of all your family's hopes and dreams, especially in a country that's hostile to your very existence.

'When Girl receives a scholarship to travel to the UK, she is finally free for the first time. In the gilded rooms of London and then Scotland she is meant to be working on a PhD on Sylvia Plath and writing a postcolonial novel. But Girl can't stop thinking about her upbringing and the stories of the people who raised her. How can she reconcile their expectations with her lived reality? Did Sylvia Plath have this problem? What even is a 'postcolonial novel'? And what if the story of becoming yourself is not about carving out a new identity, but learning to understand the people who made you who you are?' (Publication summary)

'"There was something powerful in being seen."

'Taylia Chatterjee has never known love, and certainly has never felt it for herself. Growing up on the Upper West Side of Manhattan, with her older sister Alyssa, their parents were both overbearing and emotionally distant, and despite idyllic summers in the Catskills, and gatherings with glamorous family friends, there is a sadness that emanates from the Chatterjee residence, a deep well of sorrow stemming from the racism of American society.

'After a violent sexual assault, Taylia is disowned by her parents and suddenly forced to move out. As Taylia looks to the city, the ghost of her Indian grandmother dadi-ma is always one step ahead, while another more troubling ghost chases after her. Determined to have the courage to confront the pain that her family can't face, Taylia finds work at a neighborhood caf owned by single mother and spiritualist, Kat. Taylia quickly builds a constellation of friends and lovers on her own, daring herself to be open to new experiences, even as they call into question what she thought she knew about the past.

'Taylia's story is about survival, coming to terms with her past and looking forward to a future she never felt she was allowed to claim. Writing this for eighteen years, poet and activist Fariha Róisín's debut novel is an intense, provocative, and emotionally profound portrait of an inner life in turmoil and the redemptive power of community and love.' (Publication summary)

'Elena Rubik can’t seem to stay dead. She persists: as a set of corneas, as a newsletter subscriber, as a member of fanfiction forums. Her best friend Jules Valentine meanwhile is unwittingly inveigled into an indie-film turned corporate branding stunt. When Jules leaks information about the true story behind the video – by then an overworked viral meme – wannabe investigative reporter April Kuan is assigned the case. But as April trails Jules all over Perth she too becomes ensnared in the machinations of shady corporate interests as the very laws of physics and time begin to bend.

'Rubik is a wide-ranging, brilliantly intertwined novel-in-stories that slip outside the borders of realism. Spotted with disappearances, mysteries and told with a sharp-edged wit and cutting social commentary, it is an original and ingenious reflection of technological anxiety, loneliness and connectivity in the internet age.' (Publication summary)