'Ernest Hemingway loved deep sea fishing, big game hunting and women.
'Hemingway’s love of women led to a long-winded, complicated love life littered with a series of tragically poetic marriages. The inherent theatricality in the demise of so many of his marriages will be the starting point for the development of Side Pony Productions’ The Wives of Hemingway.
'Hemingway had four wives and inevitably blamed each wife for the breakdown of his previous marriage. The overtly theatrical circumstances of Hemingway’s love life coupled with his obsession with death and violence provide fertile ground for a comically tragic narrative. Hemingway was ardently passionate about big game hunting; hunting bears in America and later big game on his many expeditions to Africa. Hemingway saw hunting as a way of bringing a family together, an activity he had done with his father and a tradition he carried on with his sons.
'The Wives of Hemingway draws on two of Hemingway’s texts; ‘The Garden of Eden’ published posthumously which reads as a fictionalised romantic interpretation of the transition between his first and second wife; and ‘The Short Happy Life of Francis Macomber’; set on safari this story sheds light on Hemingway’s longstanding obsession with power and masculinity. These texts have been a vehicle to delve into some of Ernest Hemingway’s more interesting preoccupations; androgyny, sexual role reversals, homosexuality and haircuts. Hemingway was a great story teller and his variations on the truth seemed to falter with age as he grew biased toward his more distant marriages and remembered these wives with great reverence and sadness which is most evident in his posthumously published texts.
'The Wives of Hemingway follows the love affair of Catherine and Wilson (Hemingway). Catherine’s obsessive love begins to reveal itself through her desire to be a boy, just like Wilson. This manifests through her dressing like him and getting his haircut. The matching duo are admired by a stranger, Helen. So flattered by her flattery, they invite her to get ‘their’ haircut and come on safari with them. As Catherine begins to assert her new found power Wilson’s affections shift from Catherine to Helen and the dynamics of the trio begin to implode. Catherine is reluctant to relinquish her mantle as wife and the three descend into a surreal and brutal battle for love.'
Source: Side Pony Productions.
