Sana Nakata Sana Nakata i(13808813 works by)
Gender: Female
Heritage: Torres Strait Islander
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Working through the Problems : Negotiating Friendship, Producing Results Sana Nakata , Sarah Maddison , 2020 single work interview
— Appears in: Griffith Review , February no. 67 2020; (p. 125-134)

'We work together as co-directors of the Indigenous Settler Relations Collaboration, a research unit at the University of Melbourne. In this context, our working relationship requires a high level of trust, but as an Indigenous person (Sana is a Torres Strait Islander) and a non-Indigenous person (Sarah is a white settler), we don't take the trust between up for granted. We a conscious that relations between Indigenous peoples and settlers do not generally have a bank of trust for either side to draw upon in difficult times, which means Indigenous-settler relations are always contingent, always at risk. To further understanding of these challenges, we have staged a number of public conversations that explore the question of trust in our professional relationship. Prompted by a single question - 'Do you trust me?' - these conversations have changed over time to explore different aspects of the positionality and conditionality of trust between Indigenous peoples and settlers through the lens of our own working relationship. Here, we have edited on conversation about building trust in each other over time.' (Introduction)

1 The Infantilisation of Indigenous Australians : A Problem for Democracy Sana Nakata , 2018 single work autobiography
— Appears in: Griffith Review , no. 60 2018; (p. 104-116)

I grew up in the 1990s, the daughter of a white Australian and a Torres Strait Islander. I was raised on my mother’s stories of the Cairns Esplanade, her doctor father and English migrant mother. I learned the stories of generations of my British ancestors, as far back as the Battle of Hastings, who over the centuries would emigrate to Massachusetts, to Ohio, to Bermuda via the White House, to the Victorian goldfields, to Fitzroy in Melbourne, and to Sydney, where my grandfather was born. I grew up on stories of British settlers, of dispossessors, of those who wielded colonial power and benefited from it. And I was raised on my father’s stories, too. Stories of water, of fishing and of islands. Especially of the island that is ours, the one we don’t live on anymore, Naghir. I listened to the stories of how multiple generations of my Islander family navigated the arrival of the missionaries and the government to access education, to find work, to keep fishing, to stay free. I watched my father become the first Torres Strait Islander to receive a PhD. And, to be completely honest, I didn’t really hear all those stories about our family – I read some of them in his book. I think this is important to acknowledge: Indigenous people are not meant to write our own histories, we’re just meant to speak them. And we’re usually expected to speak them against a more powerful, white, narrative. But it was not ever like that for me. These were never stories told against one another. These were the stories that just told me who I was. In all, I grew up on stories both written and spoken, authored by both the dispossessed and their dispossessors. Some have told me that it’s almost like I grew up in two Australias, but I didn’t. I grew up in the same Australia as you. This is your Australia, too.' (Introduction)

X