Janey Mac Janey Mac i(11975485 works by)
Gender: Unknown
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Works By

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1 A Sense of Sovereignty Where the Salmon Sing i "I climb the mountain of myself to stand", Janey Mac , 2019 single work poetry
— Appears in: Mountain Secrets 2019; (p. 78)
1 ...And a New Road i "Where the wavewall rises to the sky", Janey Mac , 2018 single work poetry
— Appears in: Wild 2018; (p. 46)
1 y separately published work icon Janey Mac Goes to Nauru Janey Mac , Port Adelaide : Ginninderra Press , 2018 14725058 2018 selected work poetry

'Every country has dark moments in its history. Some are the result of considered actions that only become dark in retrospect, when the morals of the time evolve; others are morally indefensible even at the time of commission. Here in Australia, we have seen the pre-1949 ‘White Australia’ policy and we have seen the pre-70s ‘Stolen Generation’ among other social shames. Together, these have left a stain on the country’s past that continues to seep into the present. Every few years, aspects of these attitudes are resurrected under different guises, either directly, by calling for restrictions on foreign land ownership, or indirectly, through the omission of decency afforded those living in the Northern Territory. But today, we have the morally indefensible stain of offshore detention. Soundly condemned by international bodies across the globe, Australia continues to abuse the vulnerable fleeing persecution by incarcerating them on Manus and Nauru. And even though the centre on Manus has closed, the refugees remain in a country they hate, like butterflies pinned to a board. The snapshots and poems contained in this slim volume aim to ask the question of every Australian: is this how you want to be remembered in history?' (Publication summary)

1 y separately published work icon Janey Mac Goes to War Janey Mac , Port Adelaide : Ginninderra Press , 2017 11975510 2017 selected work poetry

'War, as everyone will attest to, is horrific. Yet we continue to indulge in it under the guise of ‘defence’ or ‘peace keeping’ or whatever. And we continue to glorify the stupidity of war (there can be no other term to be applied to Passchendaele or Balaclava or Gallipoli or ‘weapons-of-mass-destruction’ Baghdad) with our annual parades and our demonstrations of patriotism and our pontifications on sacrifice and honour and moral debt, while learning nothing more than new ways to destroy. Janey Mac goes to war on war. And not just the boys’ game of war, but the war closer to home: the war in the home, the war that has always existed in the male’s attempt at domination over the female. War is more than one nation’s land grab for oil or for power or for eco-political gain. It is fought daily on an individual level and the vanquished are often those without a voice, without an ally. Janey Mac tries to illuminate the wars that go unreported, as well as those that are reported in a way reminiscent of earlier poets, but at the same time, with a new eye. Lyrical poetry, this is not: it is narrative poetry and prose hoping for a lyrical response.' (Publication summary)
 

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