Bridget Gilmartin Bridget Gilmartin i(11957072 works by)
Gender: Female
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Works By

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1 Sacramental i "I am lying on this leather couch,", Bridget Gilmartin , 2022 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 1 2022; (p. 139)
1 On Carnivorous Plants i "There are some beliefs about yourself that are", Bridget Gilmartin , 2022 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 1 2022; (p. 139)
1 1 y separately published work icon Strange Animals Bridget Gilmartin , Australia : No More Poetry , 2022 25232536 2022 selected work poetry

'Bridget Gilmartin’s debut poetry collection Strange Animals is an exploration of the self, of identity and emotion, and the shifting nature of all these things. It seats the reader right in the centre of these constructs; curious, open and abundant. What pervades the collection is an elated revelation in testing the borders of these constructs, in forming alternative ways of inhabiting the body and the world. This revelation happens both in scenes of solitude, and in intimate moments between lovers, both platonic and romantic; there is a coming to know oneself and one’s own desires in the presence of another.

'This is a book of queer history as it happens, of bodies brimming, saying to us “look what we are doing, how wonderful and bizarre.” The collection seeks to put forth and celebrate the strangeness of what we all are: confused, desiring, ugly, beautiful, strange animals.'  (Publication summary)

1 Getting Nowhere i "under the fluorescent supermarket light", Bridget Gilmartin , 2019 single work poetry
— Appears in: Tell Me Like You Mean It 3 2019;
Author's note: after John Cage’s A Lecture on Nothing
1 Tragedy Strikes at Powder i "On a good day, I can do my laundry in peace", Bridget Gilmartin , 2017 single work poetry
— Appears in: Voiceworks , Winter no. 108 2017; (p. 28)
1 Slippage (un)fixed i "Louis Buvelot is painting. It’s a quarter past", Bridget Gilmartin , 2017 single work poetry
— Appears in: Cordite Poetry Review , 1 August vol. 82 no. 2017;
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