Mick Broderick Mick Broderick i(11373962 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Mad Max : Fury Road Was a Pioneering Portrayal of Disability. Furiosa Is a Letdown Katie Ellis , Mick Broderick , 2024 single work review
— Appears in: The Conversation , 28 May 2024;

— Review of Mad Max : Furiosa Nico Lathouris , George Miller , 2024 single work film/TV

'Furiosa, the latest instalment of the Mad Max franchise, has arrived a decade after the release of George Miller’s groundbreaking reboot Fury Road (2015).' (Introduction)

1 Introduction – Dossier : Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand Antonio Traverso, , Mick Broderick , Felicity Collins , Susannah Radstone , 2024 single work criticism
— Appears in: Screen Culture in the Global South : Cinema at the End of the World 2024;
1 Sixty Years on, Two TV Programs Revisit Australia’s Nuclear History at Maralinga Mick Broderick , 2020 single work column
— Appears in: The Conversation , 4 June 2020;

'Over successive Sunday nights, the ABC has premiered two important television programs recounting the history of nuclear testing in Australia – the documentary Maralinga Tjuratja and a six-drama series Operation Buffalo. Both explore the ramifications of the Anglo-Australian nuclear venture conducted at Maralinga during the cold war – but in very different ways.' (Introduction)

1 y separately published work icon Trauma and Disability in Mad Max : Beyond the Road Warrior’s Fury Mick Broderick , Katie Ellis , Oxford : Oxford University Press , 2019 18451060 2019 multi chapter work criticism

'This book explores the inter-relationship of disability and trauma in the Mad Maxfilms (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth.

'Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change.

'Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.'

Source: Publisher's blurb.

1 'There Is Still Time … Brother' : Antipodean Cinema and Nuclearism in the Mid-to-Late Cold War Mick Broderick , 2016 single work criticism
— Appears in: Historical Journal of Film, Radio and Television , March vol. 36 no. 1 2016; (p. 53-67)
1 Septic Tanks Downunder : Representing American Soldiers as 'Other' in Australian Cinema Mick Broderick , 2005 single work criticism
— Appears in: Post Script , Winter-Summer vol. 24 no. 2-3 2005; (p. 94-108)
X