y separately published work icon The Saturday Paper newspaper issue  
Issue Details: First known date: 2017... 3-9 June 2017 of The Saturday Paper est. 2014 The Saturday Paper
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Contents

* Contents derived from the , 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Making of the Uluru Statement, Karen Middleton , single work column

'In early 2014, just as a parliamentary committee was being established to produce a road map towards Indigenous constitutional recognition, Cape York leader Noel Pearson began his own series of quiet consultations with people he calls “constitutional conservatives”.' (Introduction)




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Quadrant and Its Slide into Deluded Extremism, Mike Seccombe , single work column
'Let us imagine for a moment that someone other than a member of the reactionary right had, on the official site of the media organisation for which they worked, publicly wished violent death on their ideological opponents.' (Introduction)
Tracey Moffatt at the 2017 Venice Biennale, Marcia Langton , single work column
'While the photography in Tracey Moffatt’s exhibition at the Venice Biennale bears touches of the knowing melodrama of her early work, her film work comes with a disaffected Hollywood air. By Marcia Langton.' (Introduction)
Artist Yhonnie Scarce, Ellen van Neerven , single work column
'Artist Yhonnie Scarce captures the aftermath of Maralinga in her new exhibition Thunder Raining Poison. By Ellen van Neerven.'
Inga Simpson : Understory, CR , single work essay
'In 2007 Inga Simpson, not yet a successful novelist, is stuck on a wearying conference call when she first sees the cedar cottage that will change her life. It sits in a misty forest and is up for sale. Simpson and her partner, a writer known here as N, aren’t ready for their tree change, but many things in this memoir happen before the pair is ready; they meet challenges as opportunities, equally inspiring and frightening.' (Introduction)
Wayne Macauley : Some Tests, KN , single work column
'Wayne Macauley is an Australian original. He writes in a tradition of dystopian satire – associated most famously with George Orwell’s 1984 or Aldous Huxley’s Brave New World – but in a stripped-back and absurdist style. His work is a mixture of Jonathan Swift, Samuel Beckett, Franz Kafka and J. M. Coetzee (in allegorical mode), though Macauley’s fictional worlds are always set in Melbourne or greater Victoria. The meaning or relevance of his dystopian satires are to be found locally too, in our country’s follies.' (Introduction)
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