Cirrus@Austlit

'This essay considers three novels which each bear the word ‘pioneer’ in their titles: James Fenimore Cooper’s The Pioneers (1823), Willa Cather’s O Pioneers! (1913) and Katharine Susannah Prichard’s The Pioneers (1915). The three novels, although moving widely across time and space, are taken as representative of the creative literature of settler colonialism. A model of reading settler colonial literature is advanced that draws on four distinct features found across the three novels. These are: a tendency to spatialise the historical time of settler colonialism within the geography of the novel; the condensation of settler legal anxiety into a legal drama in the text; the application of a generational structure to Indigenise the settler; and the recurrence in the text of a ‘primal scene’ by which the settler society remembers its foundational violence in repressed form.' (Publication summary)

'Since coming to national attention in the immediate post-World War II years Charmian Clift and George Johnston have remained an enigmatic and almost ‘mythical’ Australian literary couple. At the heart of their shared biographies is the near-decade they spent on the Aegean island of Hydra between 1955 and 1964 where they were at the centre of an international community of writers and artists, and their eventual repatriation to Australia when their years abroad culminated in the triumphant publication of Johnston’s classic novel My Brother Jack. This paper examines aspects of these years on Hydra, exploring the co-dependent but often difficult relationship the Clift and Johnston shared with other expatriates at the same time as their own marriage endured many crises amid the struggle to write fiction of lasting importance.'