Bidisha Banerjee (International) assertion Bidisha Banerjee i(10468566 works by)
Gender: Female
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1 Kinship between 'Companion Species' : A Posthuman Refiguration of the Immigrant Condition in Shaun Tan’s The Arrival Bidisha Banerjee , 2016 single work criticism
— Appears in: Journal of Postcolonial Writing , vol. 52 no. 4 2016; (p. 399-414)
'Academy Award-winning author and illustrator Shaun Tan’s 2007 graphic novel The Arrival poignantly tells the story of the typical immigrant experience. Tan creates an ostensibly alienating and unfamiliar terrain which may be described as a “posthuman landscape”. Instead of presenting the traditional native-versus-immigrant framework typical of diasporic stories, Tan chooses to delineate an inter-species relationship where the immigrant man is assisted by a native animal. An odd-looking creature becomes the protagonist’s guide in the new country and assists him in a myriad of ways throughout the story. This article explores the implications of such a relationship in the age of the Anthropocene where the privileged anthropocentrism of western humanism has been replaced by an egalitarianism of species. Using Donna Haraway’s notion of “companion species” and Rosi Braidotti’s recent articulation of the posthuman, it suggests a connection between the posthuman and the postcolonial in Tan’s text and thereby explores the significance of a non-human Other coming to the assistance of the immigrant Other within the space of a posthuman, postcolonial world. Thus the article seeks to study the reconfiguration of otherness in the face of incommensurable difference, and articulate its implications for diasporic thought.' (Publication abstract)
1 Utopian Transformations in the Contact Zone : A Posthuman, Postcolonial Reading of Shaun Tan and John Marsden's The Rabbits Bidisha Banerjee , 2013 single work criticism
— Appears in: Global Studies of Childhood , vol. 3 no. 4 2013; (p. 418-426)

'The 1998 picture book The Rabbits, written by John Marsden and illustrated by Shaun Tan, is an allegory of the colonisation of Australia. The book has been controversial for a number of reasons. While some have read it as too politically correct, others have argued that the portrayal of the Aboriginals is patronising and silencing, and still others have been confounded by its categorisation as children's literature. For the author of this article, the overwhelming message of the book is the destruction of the landscape due to colonialism. In the reading of The Rabbits in this article, the author attempts to bring together the postcolonial and the posthuman ‘contact zone’ perspectives, as theorised by Mary Louise Pratt and Donna Haraway respectively. The author analyses the textual pages of The Rabbits as representative of a troubled contact zone where text and image exist in tension with each other such that two separate but interwoven strands ultimately come together to deliver a poignant message. The author further argues that the book can be read as a deeply transformative text, mainly because of Tan's illustrations which subtly counter Marsden's sharply polarised representation of the coloniser and the colonised.' (Source: Publisher's blurb)

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